Lahore Fort
Exploring the Majestic Lahore Fort: A Historical Masterpiece Lahore Fort, locally known as Shahi Qila, is a magnificent architectural marvel situated in the northwestern corner of Lahore’s historic city. This royal fort is not only a testament to its rich history but also stands as an architectural gem. The fort covers an expansive area of nearly 20 hectares, with dimensions measuring approximately 427 meters from east to west and 335 meters from north to south. It’s important to note that these measurements exclude the outer fortification wall added during Maharaja Ranjit Singh’s Sikh rule (1799 – 1839 A.D). A Storied Past The site of the modern Lahore Fort has witnessed centuries of history. Its origins date back to the 11th century when a mud-brick fort was first recorded during Mahmud of Ghazni’s rule. Over the centuries, the fort underwent numerous cycles of destruction, demolition, and reconstruction by various conquerors and rulers before falling under the domain of the Mughal emperors. In 1241, Mongols demolished the fort, and Sultan Balban of the Delhi Sultanate initiated its reconstruction in 1267. However, in 1398, Timur’s invading forces razed it to the ground once more, only for it to be resurrected by Mubarak Shah Sayyid in 1421. During the 1430s, the fort came under the occupation of Shaikh Ali of Kabul before ultimately falling under the control of the Pashtun Sultans of the Lodi dynasty. In 1524, the Mughal Emperor Babur captured Lahore, marking the start of its Mughal legacy. The occupation persisted until the decline of the Mughal dynasty. Subsequently, the Sikhs and later the British took control of the fort. Mughal Magnificence The foundations of the Lahore Fort as we know it today were laid in 1566 during the reign of Emperor Akbar (1556–1605), who made Lahore his capital. Akbar introduced architectural modifications to the fort, incorporating Hindu motifs into its design. Successive Mughal emperors, including Shah Jahan, left their mark on the fort. Shah Jahan, for instance, adorned it with luxurious marble featuring intricate Persian floral designs. In the 17th century, the fort underwent a comprehensive reconstruction, coinciding with the zenith of the Mughal Empire’s prestige and prosperity. Distinct Sections and Prominent Monuments The Lahore Fort is situated in close proximity to the Badshahi Mosque, separated only by the Hazuri Bagh. The fort comprises two primary sections: the northern half, which served as the private and residential area, and the southern half, designated for royal audiences and administrative functions. Within the fort, several notable monuments stand as testaments to its historical significance: 1-Akbari Gate (Masti Gate) Built by Emperor Akbar in 1566, this gate later became known as Masti Gate. Actually, the Empress of Akbar built a mosque outside this gate in 1614 A.D that still exists in good condition. The word” Masjid” (Mosque) in the local version was corruptly pronounced Maseet and transformed as Masti; thus the name Masti Gate was affixed. The fort during Akbar’s times had two gates including Masti Gate. The other gate was later replaced by Alamgiri Gate in 1673 A.D. 2-Alamgiri Gate The iconic Alamgiri Gate, located on its western side, opens in the Hazuri Bagh and faces the renowned Badshahi Mosque, was the masterpiece built by the last of the Mughal ruler Aurangzeb (ruled: 1658 – 1707 A.D) in 1673-74 a private entrance to the royal quarters enabling the elephants carrying members of the royal household enter at one time. It has two semi-circular bastions decorated with lotus petal designs at the base. 3-Diwan-i-Aam (Hall of Public Audience) Diwan-i-Aam is a forty-pillar complex built under the supervision of Asif Khan (brother of Nur Jahan – the empress of Shah Jahan’s father, Jahangir). It was built during the reign of Shah Jahan in 1631 to receive official visitors, make a daily public appearance to address the issues, and review parades. It was demolished when Ranjit Singh’s son Sher Singh bombarded Lahore Fort. The fort was destroyed with light guns during a fight against Chand Kaur, the widow of Kharak Singh (the elder son of Ranjit Singh). After the occupation of the fort in 1849 A.D. The British rebuilt Diwan-i-Aam. 4-Jahangir Quadrangles The northeast corner of the fort is made up of Jahangir’s Quadrangles. The construction of the Quadrangles started during the tenure of Akbar in 1617-18. However, it was completed by Jahangir in 1620 at a cost of seven lacs (Seven Hundred Thousand) rupees. The design of the Quadrangles reflects Akbar’s influence as it employs column brackets carved in the form of animals. Moreover, the quadrangle’s layout differs from the mainstream Mughal quadrangles and its features reflect Hindu temple architecture referring the Akbar’s policy of tolerance. Usually, the Mughal quadrangles used the layout of a Persian paradise garden, and instead, it is formed by concentric rectangles with a fountain in its center. 5-Diwan-i-Khas (Hall of Private Audience) Diwan-i-Khas is a hall commissioned by Shah Jahan where state guests were received and discussed matters related to the state. It is an arched pavilion built in semi-chaste marble and its parapet was decorated with pietra dura work (by inlaying semi-precious stones into white marble). 6-Khwabgah-e-Jahangir (Jahangir’s sleeping chamber) The north end of the quadrangle is dominated by the Barri Khwabgah, or ‘large bedroom’. It was Jahangir’s sleeping chamber attributed to Jahangir’s period and is located in the residential section. The current building is the reconstruction version from the British era. It is now used as a museum housing Mughal antiquities. 7-Khwabgah-e- Shah Jahan It was the sleeping chamber and the first building built by Shah Jahan under the supervision of Wazir Khan in 1634 during his first visit to the city. The Khwabgah comprises five sleeping chambers aligned in a single row. The carved marble screens inside the chambers are decorated with inlaid white marble and frescoes. The incised work known as Ghalib Kari in Urdu and the stucco tracery on the arches of this monument are the main features of this building. Its original decorations have gone astray presently except for a trace of the